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INDEX
Editorial
Music and Process
• José Manuel Pérez Cortijo: A note about musical diversity
• Claudio Naranjo: About how the syntactic becomes semantic during the first bars of the Golberg variation
Applications and Results
• Lia Rejane Mendes Barcellos: From the musical re-creation to composition: a path towards the individual expression of the street children
• Maravillas Díaz: The educative value of the songs in the children's games.
Work and Dialogue
• The dialogue and the work of Carmen Santonja
Art and Human Development
• Barbara Haselbach: About the interrelation between the dance and plastical arts
Soundscape
• Fernando Palacios: The silence of the mermaids. Marine cantata for a tank
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José Manuel Pérez Cortijo "A note about musical diversity"
ABSTRACT
Our musical notes represent a very specific and concrete selection of all the available spectrum of musical sounds, which is, by definition, infinite. Thus, starting from the A-440, all other sounds have been established and therefore, musical creativity is determined by our music, being the former a result of a harmonic, although limited, conjunction of sounds. These are being recorded within a series of rhythmic cells which have also been previously established, are limited in number and have been selected out of a much larger group of rhythmic possibilities. However, other cultures have chosen other ways of making music: the Hindu intervalic music, the Chinese microtonal music, the African polyrhythmic music, the Peruvian Andean music. The experiments of the dodecaphonic music are also worth remembering.
KEYWORDS: Scale, rhytmic cell, intervals, microtonal, polyrhytmia, pentatonic, dodecaphonism
